This is a book about more than a singular death, it is an exploration of the nature of death and what constitutes murder. Max Cámara, the Valencia detective introduced in Or the Bull Kills You, cannot sleep: his street is being dug up as the new Metro line is being built, the summer heat pulsates, and Valencia is crazy as it prepares for the arrival of the Pope.
The city buzzes with pro- and anti-Catholic emotions, with pro-life and pro-choice campaigners lining up their arguments for the Pope. Meanwhile the police force prepares security for the visit, as a developer is ripping up the old fisherman’s quarter El Cabanyal [below] to build new apartment blocks. On the first page, a dead body is washed up on the shore. A well-known paella chef.
Max has eaten the chef’s paella but is taken off the case to help hunt for a kidnapped woman, a gynaecologist who performs abortions. The eve of the Pope’s visit is the worst possible time for this to happen. As always seems to happen in crime novels, two seemingly separate incidents are linked. The link, in this case, is carefully plotted so I didn’t spot it until the end. For me, this is a deeper more intelligent novel than the first in the Max Cámara series [there are now four], perhaps because the author is settling into the genre and the character.
I must add that Valencia simply rocks in this book, it comes alive off the page, the heat, the tension, the grief. I can smell the summer dust.
To read my review of Jason Webster’s first book about Max Cámara, click here.
To watch a video where Jason Webster [above] explains how he wrote A Death in Valencia
and how real life influenced the plot, click here
To watch a film about El Cabanyal, and the threat it still faces from developers, click here
. The film is directed by Tristan Martin and narrated by Nigel Planer.
for Jason Webster’s website for more about Max Cámara, Webster’s travel writing about Spain and a new history book, The Spy with 29 Names
‘A Death in Valencia’ by Jason Webster [Vintage]